“The writer” and I didn’t go out for a ‘last hurrah’ last night before we’re locked down again until December 2nd but it doesn’t look as though the streets of the streets of Soho missed us!





A Covid-19 report from the heart of the City
“The writer” and I didn’t go out for a ‘last hurrah’ last night before we’re locked down again until December 2nd but it doesn’t look as though the streets of the streets of Soho missed us!





Helicopter noise is driving me INSANE. As the cacophony of building work dies away at lunchtime on Saturdays, the helicopter racket takes over. We don’t find out what’s going on in central London the way most people do, by Googling – we find out by being subjected to hour after hour of helicopters hovering almost directly overhead and THEN Googling, in desperation to discover whether/when whatever they are watching might be over.
Last night, it was the crowds just down the street from our apartment celebrating the beginning of a Tier 2 Lockdown by gathering in large crowds, hugging, kissing and enjoying a mask-less fiesta, having decided that, since from today they would not be able to mix two households, they would mix as many as possible while they still had the opportunity.

And today, the helicopters were back – this time patrolling the anti-lockdown march virtually on our doorstep:




OK, I admit it’s not exactly Apocalypse Now but, believe me, the noise is horrendous,even from this dot in the sky.
I love the city and I love Soho and, even as I read every day that people are flocking to buy houses in the country, I know I’d rather be where the buzz is – even if at times, it’s a buzz I can’t bear.

If, like me, you find it hard to distinguish one day from the next during this weird semi-lockdown, let me share with you how I know it’s Thursday.
I know it’s Thursday because that’s the day this seemingly ordinary box arrives outside our door. I’ve always admired in American movies, the way gifts arrive in boxes whose satin ribbons have to be untied by the recipient. It looks so lavishly decadent and it’s not a packaging device we seem to favour in this country. This box gives me a glimpse of this excitement as I untie the string inside.



And there they are, Freddie’s Flowers, laid end- to -end with the utmost care. I now have a routine – take the flowers out, lay them gently on the floor and prop up the box against the landing wall ready for collection next Thursday.

The bunch looks thin and unlikely to make much of a display but I remember Freddie’s assurance that the flowers come direct from the grower so will take a while to get going.
In the kitchen, I gently release the flower heads from their protective ‘hairnets.Next comes the fun of choosing the vase. I’ve learned over the years how different the same flowers can look depending on the height, width and ornamentation of the vase. I prefer clear glass so you can see the stems and my absolute favourite was a triangular vase from Heal’s made by Krosno in Poland, which broke 6 years ago and, though I look for it almost weekly on Ebay, the only time it has cropped up was in Australia and, despite the seller being kind enough to get a postage quote for me, I felt the £110 cost of sending it was out of the question for a vase costing £6. secondhand!
One day I’ll find it.
Ever a market man, my husband likes what he calls “A big flash” from his flowers and as this weekly delivery is a gift from him, I resist my usual impulse to cut them short and display them in a jug as though carelessly gathered from some nearby woodland. Instead, I arrange them elegantly according to Freddie’s wonderful leaflet which tells you the name of each flower as well as including a drawing of each, some poetically- written history or fact and a diagram of how best to arrange them. (I have to admit I usually go off piste as far as arranging goes but I love knowing how a professional would do it. And I adore the drawings. They’ve even caused me to learn the names of some of the more unusual flowers which I have never done in years of loving them.)
Tall and straight, they sit on the sideboard in the kitchen (I don’t take them upstairs, since when we’re up there we tend to gaze only at the TV, whereas life, conversation, planning, worrying, cooking, eating, take place in the kitchen and I prefer to have their beauty where we can see it.
Gradually, gradually, as the week wears on, the flowers evolve from thin, stiff stalks into a dense, brilliant, blowsy burst of colour.

“The writer”, who, though meticulous in his observations on the page, notices absolutely nothing about his own environment, has miraculously begun to see and to enjoy flowers without my having to point them out. (I do still have to remind him it’s hot in his room and to open a window or take off a sweater or that he’s shivering at his desk unaware that the icy gale blowing through his study window might have something to do with it and could even be prevented).
Many of the stems are still fresh when the next Thursday’s bunch is due and one of my favourite tasks is rescuing those that are hanging on and making them look entirely different by cutting them down or transferring them to a different-shaped vase.


“The writer” ordered this indulgent treat for me when he realised that we were likely to be more or less locked down for a further 6 months, that darkness and rain were in prospect and gloom was likely to descend on us both. It was an inspired thought and I was and remain thrilled by it.
PS: Despite all appearances to the contrary, I’m not an employee of Freddie’s Flowers – just a fan!







Harriet the plastic hawk has done her job. She ensured the pigeons kept their distance, terrified, presumably, by her fearsome swaying in the breeze. We produced a good tomato crop, watered and cherished for the first time by “The Writer, and the plants are now looking sadly dishevelled and brown. The remaining fruits are green and hard and unlikely to ripen, so that signals it’s time for one of my favourite activities: Gleaming lass jars are sterilising in the oven. (When I first made chutney, I was baffled by the debate on line as to whether it was more hygienic to bake jars in the oven or pour boiling water into them. Taking no chances with the lives of the friends who will receive them, I decided to do both).

One great thing about Lockdown is that I have the time to really look and appreciate things in a way I never used to. BL(before Lockdown), each task had to be completed in a rush in order to move on to the next. Lockdown days seem twice the length so I can actually pause to enjoy the jewel-like tomatoes glowing in the colander.
Every time I chop or peel onions, I think of our beautiful Stephen Jacobson painting of onions arranged on their plinths like a platoon awaiting inspection. Today, I actually pause before chopping to go and look at the painting, admire the weight and heft and calm of the onions, the coolness of their skins and their unruly tops neatly bandaged so as not to draw the eye of the competition judge or the painting’s viewer from the voluptuousness of their curves.



The recipe I use is by Nigel Slater, the only cookery writer I can follow. He tells the reader what the texture of a dish should be, what colour, how hard or soft, what he likes about its flavour. You can taste the dish in his prose before you make it His recipes are worth reading for the sumptuous writing and his memoir, Toast, is a treat. The only cavil I have about this chutney recipe is the huge amount of work involved for the minuscule outcome:

Yes. folks, that’s it!
And I’ve always found that simply doubling the recipe doesn’t work. I will have to make time to cook another batch before I can get to the most fun part of this project – designing the labels.
Bicycle-envy is what I’m currently suffering. Not because I long for the wind (and fumes) through my hair, or because I actually want to go anywhere, but because I came upon this Bicycle Repair Station yesterday – sorry, DELUXE Bicycle Repair Station. New things seem to keep popping up in London these days without warning or publicity.


As far as I can tell, not being and never having been, a cyclist, you hoist your bike up onto the two knobs at the top, which leaves you free to get to grips with the shiny new tools hanging below.

The tools look so exciting, I’m left wondering what else I could repair, not owning a bike. Do I have anything with tyres that need pumping up?

Anyway, it looks like a brilliant thing and maybe they’re all over the city and all over the country and every cyclist knows they’re there but I’ve never seen one and I thought you might not have, either.

I also came upon this lady, surrounded by pigeons.She was happily feeding them and happy for me to take her photo but didn’t fancy telling me why she was there, so left me to wonder: Is she lonely? Did she have a bird that died, leaving her sad and longing for avian company?, Does she fear the pigeons might starve? Is she a countess, fallen on hard times, used to the ballrooms of Vienna and now reduced to the society of pigeons?
I walked on, leaving her with her contentment and me with my phantasies.